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One night, when Elsa hears a mysterious voice calling out to her, she follows it and unintentionally awakens the elemental spirits, which forces everyone in the kingdom to evacuate.

Grand Pabbie and the Rock Troll colony arrive and Pabbie informs that they must set things right by discovering the truth about the past.

After the mist parts at Elsa's touch, the Air spirit, in the form of a tornado , appears and sweeps everyone in its vortex. Elsa stops it, forming a set of ice sculptures.

The sisters discover the sculptures are images from their father's past. They encounter the Northuldra and a troop of Arendellian soldiers who are still in conflict with one another.

When the Fire spirit appears, Elsa discovers the spirit to be an agitated magical salamander , and calms it down. Elsa and Anna arrange a truce between the soldiers and the Northuldra after discovering that their mother, Queen Iduna, was a Northuldran who had saved Agnarr, an Arendellian.

They later learn the existence of a fifth spirit who will unite the people with the magic of nature. Elsa, Anna, and Olaf continue to head north, leaving Kristoff and Sven behind.

They find their parents' wrecked ship and a map with a route to Ahtohallan, a mythical river told by their mother to contain all explanations of the past.

Elsa sends Anna and Olaf away to safety and continues alone. Reaching Ahtohallan, a glacier , Elsa discovers that the voice calling to her was the memory of young Iduna's call; that her powers were a gift from nature because of Iduna's selfless act of saving Agnarr and that Elsa herself is the fifth spirit.

Elsa then learns that the dam was built as a ruse to reduce the Northuldra's resources because of King Runeard's dislike of the tribe's connection with magic and his intention to incorporate the region into his kingdom.

She also learns he was the one who initiated the conflict by killing the unarmed leader of the Northuldra. Elsa sends this information to Anna before becoming frozen due to venturing into the most dangerous part of Ahtohallan.

This in turn causes Olaf to fade away. Anna receives Elsa's message and concludes that the dam must be destroyed for peace to be restored. Anna finds and awakens the gigantic Earth spirits and lures them towards the dam.

The giants hurl boulders aimed at Anna which destroy the dam, sending a flood down the fjord towards the kingdom. Elsa thaws out and returns to Arendelle, diverting the wave and saving the kingdom.

As the mist disappears, Elsa reunites with Anna and revives Olaf, and Anna accepts Kristoff's marriage proposal. Elsa explains that she and Anna are the bridge between the people and the magical spirits.

Anna becomes the new Queen of Arendelle while Elsa becomes the protector of the Enchanted Forest who regularly visits Arendelle as peace has been restored.

In a post-credits scene , Olaf visits Elsa's ice palace and recounts the events he experienced to Marshmallow and the Snowgies.

In March , when asked about sequels to the first film, producer Peter Del Vecho said that Chris Buck , Jennifer Lee , and he "work very, very well together, so I believe we will be developing a new project.

But I don't know what that is right now. Horn stated that a sequel was not being seriously considered because at that time the studio's priority was the planned Broadway musical , which also required additional songs to be written by Robert Lopez and Kristen Anderson-Lopez.

When asked in May about a sequel, Disney CEO Bob Iger told host David Faber that Disney would not "mandate a sequel" or "force storytelling", because to do so would risk creating something not as good as the first film.

Iger also expressed the hope that the Frozen franchise "is something that is kind of forever for the company" similar to The Lion King.

In June, Lee confirmed that then-chief creative officer John Lasseter had expressly granted her and Buck the freedom to explore whatever they were "passionate about": "We don't know what it is yet We're actually going to start from scratch.

It'll be something completely brand new. On March 12, , at Disney's annual meeting of shareholders in San Francisco, Iger, Lasseter, and actor Josh Gad the voice of Olaf officially announced a full-length sequel, Frozen 2 , was in development at Disney, with Buck and Lee returning as directors and Del Vecho returning as producer.

In a September interview with The Arizona Republic , Menzel confirmed that she would return for her role a couple weeks after completing her concert tour; she said, "they haven't even sent me a script".

Jonathan Groff the voice of Kristoff said earlier in July , "I don't know anything about it yet other than I'm about to start recording my section of it.

In an October interview with CinemaBlend , Bell said that there will be some new characters too. She further said that the directors and the producers had "taken their trip to Norway" and took "the entire culture in" to make this "fun home movie.

In March , Lee said in an interview that she was doing the second draft out of six drafts, which she referred as "six screenings".

Brown had entered talks to join the cast in undisclosed roles. Schroeder was credited with additional screenplay material.

Meanwhile, Megan Harding, who had previously directed a making-of ABC television special about Frozen , reached out to Disney Animation about whether she could document the production of Frozen II.

Harding began to travel regularly from her base in New York City to Burbank with camera crews in tow, and ended up shooting 1, hours of footage on shooting days from December through the November world premiere.

The first presentation of completed scenes from the movie was shown at the Annecy International Animated Film Festival in June At the D23 Expo , the directors said that the sequel will answer the questions that were left open by the original film; "Why does Elsa have magical powers", "Why was Anna born without powers", "Where were their parents going when their ship sank", and more will be addressed.

An advisory group, Verdett, was formed. Additionally, while some fans campaigned for Elsa to receive a female love interest in the film, Anderson-Lopez confirmed that Elsa will have no love interest in the movie.

During a press conference for the film, Lee confirmed that the sequel would not feature elements from Once Upon a Time ' s Frozen storyline, since she had "made a point of certain things not to see" while developing the film.

The film was produced by a team of approximately people, of whom 80 were animators. Before animation began, Unten showed various scenes of superheroes like Frozone to the animators working on Elsa as examples of what not to emulate.

To create the wind spirit Gale a new tool called Swoop was invented. This required that four and sometimes five different departments had to cooperate on the animation of the character, with animators working with real-time feedback.

The water simulation was made to be more realistic than in Moana , but some of the elements in the movie were so realistic that they felt inconsistent next to the characters, and so they had to be made more stylistic.

Creating the flurry effect was so difficult for the animators that the directors decided Elsa would have perfected a permafrost coating for Olaf by the second movie.

According to Smeed, the Earth Giants "had a long rigging process" in order for the characters to move without "[seeing] solid rock penetrating solid rock", while Marlon West, the film's head of effects animation, said that the film's effects team had the objective of generating "rocks that would fall out of the joints as they moved", though they had to be careful to avoid making the rocks distracting to the audience.

Upon the reveal of the teaser poster, Gad announced that the snowflake on it has "quite a few surprises". According to Bell, the animators played pranks on the cast.

When she visited Disney Animation to view early versions of her scenes, the animators added audible flatulence to a scene where Anna and Elsa were together in bed, and in another scene where Anna was supposed to jump between cliffs, she did not quite make it.

Frozen II underwent significant revisions after its first test screening in San Diego. The last major animation sequence completed before the production team locked picture was " Show Yourself ," the showstopping musical number in which Elsa enters Ahtohallan and finally learns all the secrets she has been seeking.

Del Vecho said that sequence "required all of the resources at the studio" to get the film done on time. When we saw the first round of visuals and then we saw it in the film, everyone agreed changes needed to happen.

It transformed a lot, and it was hard. Harding's documentary revealed that the grueling process hinted at in press interviews by Del Vecho and Lopez arose from the difficulty of determining the true identity of The Voice.

Kristen Anderson-Lopez and Robert Lopez returned from the first film to write new songs for the sequel, while Christophe Beck returned to compose the film's score.

On January 17, , a sing-along re-issue was released. Frozen 2 was localized through Disney Character Voices International into 46 languages by its original theater release, four more than the first chapter of the franchise, originally issued in 42 languages.

Disney released the first teaser trailer for the film on February 13, Disney partnered with brands worldwide to promote Frozen 2 , the highest number ever for any Disney animated film.

Apart from the world premiere, Disney Animation held two separate events for the American news media: on September 6, , Disney Animation hosted an early preview day at its headquarters in Burbank, [98] and on November 9, the Saturday after the premiere , Disney Animation held a press conference at the W Hotel in Hollywood.

UK supermarket chain Iceland promoted the film as part of its Christmas advertisement, as well as having a new and exclusive short scene made by Walt Disney Animation Studios , showing Olaf and Elsa's favorite things about Christmas.

The site's critical consensus reads: " Frozen II can't quite recapture the showstopping feel of its predecessor, but it remains a dazzling adventure into the unknown.

Manohla Dargis of The New York Times gave the film a positive review, saying, "As is often true in animation, Frozen 2 soars highest when it embraces abstraction, as in one number with a pitch-black void that entertainingly evokes Jonathan Glazer's Under the Skin.

There's enough good humor for balance amid an avalanche of new songs. But it's also a lackluster disappointment on its own—a pale shadow of what it could have been.

It's hard to see how the same team who made something so cool in could deliver something so—there's no other word for it—lukewarm.

From Wikipedia, the free encyclopedia. Redirected from Frozen 2. Theatrical release poster. Chris Buck Jennifer Lee.

Jennifer Lee [1]. Tracy Scott Beattie layout Mohit Kallianpur lighting. Main article: Frozen II soundtrack. Walt Disney Studios. Retrieved November 14, Retrieved September 30, Retrieved October 28, Box Office Mojo.

Retrieved March 16, The Numbers. Retrieved June 9, The Hollywood Reporter. Retrieved June 19, Archived from the original on June 14, Retrieved June 14, Retrieved August 29, Archived from the original on August 29, Archived from the original on February 16, Retrieved February 16, Archived from the original on July 2, Retrieved June 25, Retrieved February 15, Archived from the original on August 24, Retrieved August 24, Meet Lieutenant Destin Mattias" Tweet.

Retrieved August 30, — via Twitter. Penske Media Corporation. Retrieved December 17, January 29, Archived from the original on July 26, Retrieved September 18, Los Angeles Times.

September 23, Retrieved September 23, Retrieved September 27, — via Twitter. Good Morning America.

Meet Honeymaren! So excited to be able to finally share with you all what I've been keeping a secret for over a year.

Frozen2" Tweet. Archived from the original on November 8, Retrieved November 8, With Melancholy and a Power Ballad". The New York Times. The New York Times Company.

Retrieved November 30, Archived from the original on April 3, Retrieved April 5, Bloomberg Television. Archived from the original on May 8, Retrieved April 22, The Huffington Post.

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Archived PDF from the original on May 13, Archived from the original on March 14, Retrieved March 14, The Arizona Republic.

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Frozen Гјbersetzung Video

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Über uns Presse Werbung Jobs Kontakt. No more than that. No less than that. The team also turned Olaf from Elsa's obnoxious sidekick into Anna's comically innocent one.

At the story meeting where Ripa pitched his take on the story, Lasseter said, "I've never seen anything like that before", followed by a standing ovation.

Given Lee's extensive involvement in the development process, [51] she was promoted to co-director by studio heads Lasseter and Catmull in August , [65] [79] which was announced that November, [80] making Lee the first woman to direct a full-length animated film from Walt Disney Animation Studios.

By November , the team thought they had finally "cracked" the film's story, [49] : but according to Del Vecho, in late February it was realized that it still "wasn't working", which necessitated more rewriting from February through June But that was close.

In hindsight, piece of cake, but during, it was a big struggle. Actress Kristen Bell was cast as the voice of Anna on March 5, Their posture was too good and they were too well-spoken, and I feel like I really made this girl much more relatable and weirder and scrappier and more excitable and awkward.

I'm really proud of that. Idina Menzel , a Broadway veteran, was cast as Elsa. Menzel had formerly auditioned for Tangled , but did not get the part.

However, Tangled ' s casting director, Jamie Sparer Roberts, preserved a recording of Menzel's performance on her iPhone, and on the basis of that, asked her to audition along with Bell for Frozen.

Similar to Tangled , Frozen employed a unique artistic style by blending together features of both computer-generated imagery CGI and traditional hand-drawn animation.

To create the look of Frozen , Giaimo began pre-production research by reading extensively about the entire region of Scandinavia and visiting the Danish-themed city of Solvang near Los Angeles, but eventually zeroed in on Norway in particular because "80 percent" of the visuals that appealed to him were from Norway.

It was important to see the scope and scale of Norway, and important for our animators to know what it's like," Del Vecho said.

During , while Giaimo and the animators and artists conducted preparatory research and developed the film's overall look, the production team was still struggling to develop a compelling script, as explained above.

That problem was not adequately solved until November , [49] : and the script would later require even more significant revisions after that point.

Del Vecho explained how the film's animation team was organized: "On this movie we do have character leads, supervising animators on specific characters.

The animators themselves may work on multiple characters but it's always under one lead. I think it was different on Tangled , for example, but we chose to do it this way as we wanted one person to fully understand and develop their own character and then be able to impart that to the crew.

Hyrum Osmond, the supervising animator on Olaf, is quiet but he has a funny, wacky personality so we knew he'd bring a lot of comedy to it; Anna's animator, Becky Bresee , it's her first time leading a character and we wanted her to lead Anna.

This helped her discover elements that made the scene feel real and believable. Regarding the look and nature of the film's cinematography , Giaimo was greatly influenced by Jack Cardiff's work in Black Narcissus According to him, it lent a hyper-reality to the film: "Because this is a movie with such scale and we have the Norwegian fjords to draw from, I really wanted to explore the depth.

From a design perspective, since I was stressing the horizontal and vertical aspects, and what the fjords provide, it was perfect. We encased the sibling story in scale.

It was also Giaimo's idea that Frozen should be produced in the CinemaScope widescreen process, which was approved by Lasseter. Giaimo also wanted to ensure that Norway's fjords, architecture and rosemaling folk art, were critical factors in designing the environment of Arendelle.

Giaimo, whose background is in traditional animation, said that the art design environment represents a unity of character and environment and that he originally wanted to incorporate saturated colors, which is typically ill-advised in computer animation.

Another important issue Giaimo insisted on addressing was costumes, in that he "knew from the start" it would be a "costume film.

During production, the film's English title was changed from The Snow Queen to Frozen , a decision that drew comparisons to another Disney film, Tangled.

Peter Del Vecho explained that "the title Frozen came up independently of the title Tangled. It's because, to us, it represents the movie.

Frozen plays on the level of ice and snow but also the frozen relationship, the frozen heart that has to be thawed. We don't think of comparisons between Tangled and Frozen , though.

Maybe there's a richness to The Snow Queen in the country's heritage and they just wanted to emphasize that. The studio also developed several new tools to generate realistic and believable shots, particularly the heavy and deep snow and its interactions with the characters.

Disney wanted an "all-encompassing" and organic tool to provide snow effects but not require switching between different methods.

Kenneth Libbrecht, a professor from the California Institute of Technology , was invited to give lectures to the effects group on how snow and ice form, and why snowflakes are unique.

Another challenge that the studio had to face was to deliver shots of heavy and deep snow that both interacted believably with characters and had a realistic sticky quality.

It breaks apart. It can be compressed into snowballs. All of these different effects are very difficult to capture simultaneously. The tool was capable of depicting realistic snow in a virtual environment and was used in at least 43 scenes in the film, including several key sequences.

Since snow doesn't have any connections, it doesn't have a mesh, it can break very easily. So that was an important property we took advantage of," explained Selle.

It's very organic how that happens. Other tools designed to help artists complete complicated effects included Spaces , which allowed Olaf's deconstructible parts to be moved around and rebuilt, Flourish , which allowed extra movement such as leaves and twigs to be art-directed; Snow Batcher , which helped preview the final look of the snow, especially when characters were interacting with an area of snow by walking through a volume, and Tonic , which enabled artists to sculpt their characters' hair as procedural volumes.

Its complexity required 30 hours to render each frame, with 4, computers rendering one frame at a time.

Besides 3D effects, the filmmakers also used 2D artwork and drawings for specific elements and sequences in the film, including Elsa's magic and snow sculptures, as well as freezing fountains and floors.

The setting was principally based on Norway, and the cultural influences in the film come from Scandinavian culture.

Numerous other typical cultural Scandinavian elements are also included in the film, such as stave churches , [] trolls, [] Viking ships , a hot spring , Fjord horses , [] clothes , [93] and food such as lutefisk.

The filmmakers' trip to Norway provided essential knowledge for the animators to come up with the design aesthetic for the film in terms of color, light, and atmosphere.

According to Giaimo, there were three important factors that they had acquired from the Norway research trip: the fjords and the massive vertical rock formations characteristic of fjords, which serve as the setting for the secluded kingdom of Arendelle; the medieval stave churches, whose rustic triangular rooflines and shingles inspired the castle compound; and the rosemaling folk art, whose distinctive paneling and grid patterns informed the architecture, decor, and costumes.

About 23 minutes of the film are dedicated to their musical numbers. Seven of the 17 that did not make it were later released on the deluxe edition soundtrack.

In February , Christophe Beck was hired to score the film, following his work on Paperman , a Disney animated short film released the year prior to Frozen.

Under the supervision of sound engineer David Boucher, the lead cast members began recording the film's vocal tracks in October at the Sunset Sound recording studio in Hollywood before the songs had been orchestrated, meaning they heard only Lopez's demo piano track in their headphones as they sang.

Disney Animation Building in Burbank under the supervision of original dialogue mixer Gabriel Guy, who also mixed the film's sound effects.

Lopez and Anderson-Lopez's piano-vocal scores for the songs along with the vocal tracks were sent to Salem, Oregon -based Dave Metzger for arrangement and orchestration ; [] [] Metzger also orchestrated a significant portion of Beck's score.

The trio's goal "was to create a cohesive musical journey from beginning to end. Pictures studio lot in Burbank by an piece orchestra, featuring 32 vocalists, including native Norwegian Christine Hals.

Boucher mixed the songs at the Eastwood stage, while Stone mixed the score at Beck's personal studio in Santa Monica, California.

Regarding the sound of Frozen , director Jennifer Lee stated that sound played a huge part in making the film "visceral" and "transported"; she explained, "[i]n letting it tell the story emotionally, the sound of the ice when it's at its most dangerous just makes you shudder.

To obtain certain snow and ice sound effects, sound designer Odin Benitez traveled to Mammoth Mountain , California, to record them at a frozen lake.

Pictures lot by a Warner Bros. Although the vocals, music, sound effects, and almost all the dialogue were all recorded elsewhere, the final re-recording mix to Dolby Atmos format was performed at the Disney lot by Casey E.

Fluhr of Disney Digital Studio Services. Like other Disney media products which are often localized through Disney Character Voices International , Frozen was translated and dubbed into 41 languages compared with only 15 for The Lion King.

And then you have to go back and adjust for lip sync! Since , some local TV stations and independent studios have been dubbing the movie in their local languages, creating some unofficial dubs.

Frozen was released theatrically in the United States on November 27, , and it was accompanied by the new Mickey Mouse animated short film, Get a Horse!

On January 31, , a sing-along version of Frozen was released in 2, theaters in the United States.

It featured on-screen lyrics, and viewers were invited to follow the bouncing snowflake and sing along with the songs from the film.

In Japanese-dubbed versions, Japanese lyrics of the songs appeared on screen for audiences to sing along with the characters.

Frozen also holds the records for highest number of home video units sold on the first official day of sales and in the first official week of sales in Japan.

Following an announcement on August 12, , a sing-along reissue of Frozen was released via DVD and digital download on November 18, In late December , The Walt Disney Company filed a trademark infringement lawsuit in California federal court against Phase 4 Films , seeking an injunction against the continued distribution of the Canadian film The Legend of Sarila , which had been retitled Frozen Land in the United States and had a logo similar to the Disney film.

According to copyright infringement -tracking site Excipio, Frozen was the second most pirated film of , behind The Wolf of Wall Street , with over Frozen became Fandango's top advance ticket seller among original animated films, ahead of previous record-holder Brave , [] and became the top-selling animated film in the company's history in late January In North America, Frozen is the twenty-sixth-highest-grossing film , [] the third-highest-grossing film, [] the fifth-highest-grossing animated film, [] the highest-grossing animated film, the twelfth-highest-grossing 3-D film, [] and the second-highest-grossing Walt Disney Animation Studios film.

Frozen is the ninth-highest-grossing film, [] the highest-grossing animated film, [] [] and the highest-grossing film.

Ray Subers, writing for Box Office Mojo , compared the film to Disney's animated feature Tangled by saying that the film's story was not as "immediately interesting" and that "marketing has yet to sell this to boys the way Tangled did".

Clayton Dillard of Slant Magazine commented that while the trailers made the film seem "pallid," positive critical reviews could attract interest from both "core demographics" and adult audiences, and therefore he believed Frozen stood a good chance of surpassing Tangled ' s Thanksgiving three-day opening record.

When Frozen became a box office success, Bilge Ebiri of Vulture analyzed the film's elements and suggested eight factors that might have led to its success.

Scott Davis of Forbes credited the film's commercial success to its marketing aimed at both sexes, and to the success of its soundtrack. The commercial success of Frozen in Japan was considered to be a phenomenon [57] which received widespread media coverage.

Released in that market as Anna and the Snow Queen , [] [] the film increased its gross each week in its three first weeks of release, and only started to drop in the fourth; while other films usually peak in the opening week and decline in the latter ones.

We found the perfect match in Takako Matsu and Sayaka Kanda , and they really added a whole new dimension to the storytelling. When asked about the success of Frozen , director Chris Buck stated: "We never expected anything like this.

We just hoped to make a movie that did as well as Tangled! I hoped the audience would embrace it and respond to it, but there's no way we could have predicted this.

Usually you do a project and it has its moment. This just feels like it keeps going. Frozen opened to positive reviews, [9] with several critics comparing it favorably to the films of the Disney Renaissance, particularly The Little Mermaid , Beauty and the Beast , Aladdin , and The Lion King.

The site's critical consensus reads: "Beautifully animated, smartly written, and stocked with singalong songs, Frozen adds another worthy entry to the Disney canon.

Alonso Duralde of TheWrap wrote that the film is "the best animated musical to come out of Disney since the tragic death of lyricist Howard Ashman , whose work on The Little Mermaid and Beauty and the Beast helped build the studio's modern animated division into what it is today.

Its first and third acts are better than the jokey middle, but this is the rare example of a Walt Disney Animation Studios effort that reaches as deep as a Pixar film.

It's also a just plain terrific bit of family entertainment. The Los Angeles Times extolled the film's ensemble voice talent and elaborate musical sequences, and declared Frozen was "a welcome return to greatness for Walt Disney Animation Studios.

Hot on the heels of the 90th anniversary, it's impossible to imagine a more perfect celebration of everything Disney is at its best.

That's almost but not quite enough to make up for the somewhat slack plotting and the generic nature of the main characters. Neither princess here is a patch on Tangled ' s babe-in-the-woods Rapunzel, while both Hans and Kristoff are cut from pretty standard-issue hero cloth until a reasonably surprising third-act twist somewhat ups the ante.

Only Olaf is unimpeachable: Get this snowman a spinoff feature to call his own. Louis Post-Dispatch also criticized the story as the film's weakest point.

Allegations of sexism occurred following a statement by Lino DiSalvo, the film's head of animation, who said to Fan Voice's Jenna Busch: "Historically speaking, animating female characters are really, really difficult, because they have to go through these range of emotions, but you have to keep them pretty.

I felt horrible for him," she said. People didn't get back to me for comments and the sad thing is that's the way the internet works.

They don't want the truth. Several viewers outside the film industry, such as evangelical pastors [] [] [] and commentators, [] argued that Frozen promotes normalization of homosexuality , while others believed that the main character, Elsa, represents a positive image of LGBT youth, viewing the film and the song "Let It Go" as a metaphor for coming out.

But at the same time I feel like once we hand the film over, it belongs to the world, so I don't like to say anything, and let the fans talk.

I think it's up to them. Because each replay or new performance of the song restarts the statute of limitations clock, Ciero was told he could amend his original complaint to address only those infringements within the three-year timeframe.

Frozen was nominated for various awards and won a number of them, including several for Best Animated Feature.

The song "Let It Go" was particularly praised. During the spring and summer of , several journalists observed that Frozen was unusually catchy in comparison to the vast majority of films, in that many children in both the U.

Those who have disclosed that they are the parent of a Frozen -obsessed child include former UK prime minister David Cameron , [ citation needed ] as well as actors Amy Adams , [] Ben Affleck , [] Kevin Costner , [] and Vince Vaughn.

In May, columnist Joel Stein of Time magazine wrote about his young son Laszlo's frustration with the inescapable "cultural assault" of Frozen at preschool and all social and extracurricular activities, and how he had arranged for a Skype call with lead actress Bell after Laszlo began asking why the film was made.

No pun intended. In a mid-year report of the most-used baby names conducted by BabyCenter , Elsa was ranked 88; it was the first time the name had appeared on the site's chart.

Vice president of Disney UK Anna Hill later commented that "We're delighted that Elsa is a popular name for babies and it's lovely to hear that for many families, it is actually their siblings who have chosen it," and that "Elsa's fight to overcome her fears and the powerful strength of the family bond" were relatable to many families.

After Disney announced in March that a feature-length sequel was in development, Agence France-Presse and the Toronto Star both published stories gently mocking the horror of parents everywhere at the news that another Frozen "sensory and financial assault" was in the pipeline.

In January , Iger announced that Frozen would be adapted into a Broadway stage musical. Meanwhile, the producers of Once Upon a Time made by Disney-owned ABC Studios independently conceived of and obtained authorization from both ABC and Disney for a Frozen -inspired crossover story arc in the show's fourth season , which was first revealed at the end of the show's third season in May , which was broadcast in fall It was later revealed by John Lasseter in June that the minute special would instead receive a limited time [] theatrical release.

In addition, Arendelle was featured as a world in the video game Kingdom Hearts III , which adapts the plot of the film.

The film's voice cast reprise their roles for the game. On March 12, , Disney officially announced that a feature-length sequel to Frozen was in development with Buck and Lee returning as directors, and Del Vecho returning as producer.

Brown were revealed to be in talks to join Frozen 2 , while it was confirmed that Bell, Menzel, and Gad would reprise their roles in the sequel.

From Wikipedia, the free encyclopedia. Theatrical release poster. Chris Buck Jennifer Lee. For us the breakthrough came when we tried to give really human qualities to the Snow Queen.

When we decided to make the Snow Queen Elsa and our protagonist Anna sisters, that gave a way to relate to the characters in a way that conveyed what each was going through and that would relate for today's audiences.

This film has a lot of complicated characters and complicated relationships in it. There are times when Elsa does villainous things but because you understand where it comes from, from this desire to defend herself, you can always relate to her.

There is snow and there is ice and there is a Queen, but other than that, we depart from it quite a bit. We do try to bring scope and the scale that you would expect but do it in a way that we can understand the characters and relate to them.

Frozen is "a bit of a feminist movie for Disney. It has everything, but it's essentially about sisterhood. It's such a great relationship to have in movies, especially for young kids.

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Archived from the original on October 21, Retrieved November 27, But seriously, we don't have the story. It's a bit like Beauty and the Beast , which sat there for years.

We cracked Beauty finally by putting in the objects and creating more plot. The Snow Queen we've had a lot of trouble with and I've spent years on it.

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